From the work of Evgenia Barinova, based in Moscow, Russia.Comment
It’s too easy to get caught up in negativity. It takes effort to see the possibilities, and even more, to take action.Comment
Currently listening to…Comment
The New York Times Magazine has posted an excellent microsite on the space in New York City that arises above 800 feet. As editor Jake Silverstein explains it:
The city has 21 buildings with roof heights above 800 feet; seven of them have been completed in the past 15 years (and three of those the past 36 months). In this special New York Issue, we explore the high-altitude archipelago that spreads among the top floors of these 21 giants. It totals about 34 million square feet in all, encompassing lavish living spaces, vertiginous work environments (during construction and after), elite gathering places. Visually, the experience of this new altitude feels different in kind from its predecessors, the peak uplifts of previous booms that topped out at 400, 500 or 600 feet. At 800 and above, you feel something unusual in a city defined by the smelly bustle of its sidewalks and the jammed waiting and inching and zooming of its avenues — a kind of Alpine loneliness. Every New Yorker knows the pleasant private solitude that can be found at street level, among anonymous crowds. This is something different: an austere sense of apartness inspired by achieving a perspective seemingly not meant for human eyes.
A few images from the issue that caught my eye:
Scott Small / 55, Laborer, 3 World Trade Center
Jack Davison for The New York Times
Follow the link to see a fantastic gif of this.
Illustrations by Brian Rea. Animation by Pablo Delcan.
Images from Present and Correct
Currently on view in London at the Bloomberg Space, Eva Grubinger’s Five Problems:
…is a series of sculptures that relate formally to Vexier (or disentanglement) puzzles, thought to originate in the ‘wisdom games’ of Song Dynasty-era China. These conundrums, involving freeing and attaching puzzle parts, come in a variety of materials including string, metal and wood with their appeal deriving from their apparent insolvability. In Five Problems, Eva Grubinger enlarges and reworks such brainteasers, locating them on the floor, walls and ceiling. Being too heavy to manipulate, the ‘problems’ become mental ones, calisthenics for the brain.Comment